Rattlestick Playwrights Theater Presents:
By Samuel D. Hunter
Directed by Davis McCallum
October 10 - December 2, 2018
Monday, Wednesday-Saturday at 7:00pm
Sunday at 3:00pm
With additional matinees 11/9, 11/16 and 11/30 at 1:00pm
Before selecting your seat, please read the detailed information below the seating chart to learn more about seeing both shows and the communal meal. Student tickets available until Nov 19. For Groups of 10 or more, please contact nicHi douglas for more information on Group Rates and Discounts.
LEWISTON/CLARKSTON PRODUCTION TEAM
Set Design by Dane Laffrey
Costume Design by Jessica Wegener Shay
Lighting Design by Stacey Derosier
Sound Design by Fitz Patton
Stage manager: Katie Young, Joanne Pan
Dramaturg: John Baker
Associate Directors: Shadi Ghaheri & Lillian Meredith
Food Partner: Ready to Eat
A gutted theater. Two plays. One epic evening. An achingly human exploration of the end of the American experiment.
Each night, the two plays LEWISTON/CLARKSTON will be performed together, in an intimate space for a small audience of only 51 guests who will gather to watch, to share a catered meal between the two productions, and to consider as a community our place in the ongoing American experiment. The evening will run about 3.5 hours in total.
Rattlestick is currently renovating their theater to accommodate the unique needs of this intimate diptych of plays. The LEWISTON and CLARKSTON experience at Rattlestick will unfold in three acts for a small and intimate audience of fifty-one people each night. First, the audience will gather to watch LEWISTON. Second, the audience will share a communal meal-break during which guests may bring their own food or pre-purchase a catered meal in the spirit of Idaho cuisine that will be served in the space. The evening will conclude with the production of CLARKSTON.
Together the plays focus on two modern-day descendants of Meriwether Lewis and William Clark. Set at a failing fireworks stand in Lewiston, Idaho, and across the river at a big box store in Clarkston, Washington, the plays LEWISTON and CLARKSTON share the essential question: what is the true legacy of the great American push West?
LEWISTON is a play fundamentally about the past. An aging descendant of Meriwether Lewis has been selling off her family’s land piece by piece for years, becoming increasingly convinced that her family’s past is less of a legacy and more of a curse. But when an unexpected visitor blasts into her life, she is forced to consider if there is anything good left in the world at all.
CLARKSTON is a play fundamentally about the future. A young descendant of William Clark has made the journey out west from his home in Connecticut, desperate to find meaning in his own history. But when he finds a landscape dotted with small, struggling towns and big box stores, his faith in his future—and indeed the future of the entire country—starts to feel misplaced.
Given the intimate nature of the show's set-up, we will not be able to accommodate late seating.
This production is supported by The Venturous Theater Fund of the Tides Foundation and The Blanche and Irving Laurie Foundation with additional support by Douglas Nevin, R. Lee Stump and Abigail Roth.
Rattlestick is not an ADA-compliant venue. However, we do our best to accommodate any and all patrons. Please call us at 212-627-2556 to learn more.
Regarding meals: Please be advised the meals contain gluten in the BBQ sauce. Additionally, while our catering company does its best to avoid cross contamination, the food is NOT made in a nut-free facility. For full ingredients, please click the button below.
SAMUEL D. HUNTER's plays include The Whale (Drama Desk Award, Lucille Lortel Award for Outstanding Play, GLAAD Media Award, Drama League and Outer Critics Circle nominations for Best Play), A Bright New Boise (Obie Award, Drama Desk nomination for Best Play), The Few, A Great Wilderness, Rest, Pocatello, The Healing, The Harvest, Lewiston, Clarkston, and most recently, Greater Clements. He is the recipient of a 2014 MacArthur “Genius Grant” Fellowship, a 2012 Whiting Writers Award, the 2013 Otis Guernsey New Voices Award, the 2011 Sky Cooper Prize, the 2008 PONY/Lark Fellowship, and an honorary doctorate from the University of Idaho. His plays have been produced in New York at Playwrights Horizons, LCT3, Rattlestick Playwrights Theater, Clubbed Thumb and Page 73, and around the country at such theaters as Seattle Rep, South Coast Rep, Victory Gardens, Williamstown Theater Festival, The Old Globe, Woolly Mammoth Theatre Company, Denver Center Theatre Company, the Dallas Theater Center, Long Wharf Theatre, and elsewhere. His work has been developed at the O’Neill Playwrights Conference, the Ojai Playwrights Conference, Seven Devils, and PlayPenn. Two published anthologies of his work are available from TCG books. He is a member of New Dramatists, an Ensemble Playwright at Victory Gardens, a member of Partial Comfort Productions, and was a 2013 Resident Playwright at Arena Stage. A native of northern Idaho, Sam lives in NYC. He holds degrees in playwriting from NYU, The Iowa Playwrights Workshop, and Juilliard.
DAVIS MCCALLUM's New York credits include The Harvest (Lincoln Center), Stupid F***ing Bird (The Pearl), Fashions for Men (Mint Theater; Drama Desk and Lortel Nominations for Best Revival); Pocatello (Playwrights Horizons), The Whale (Playwrights Horizons; Lortel Award for Best Play; Calloway Nomination for Best Director), Water by the Spoonful (Second Stage; Pulitzer Prize for Drama); February House (Public Theater); and London Wall (Mint Theater; Drama Desk and Lortel Nominations for Best Revival). Regional credits include the Denver Center, Dallas Theater Center, Old Globe, Guthrie, OSF, the Alliance Theater, the O’Neill, Williamstown, Humana Festival, others. He is the Artistic Director of the Hudson Valley Shakespeare Festival in Garrison NY, and recently directed The Winter’s Tale, Measure for Measure, as well as the world premiere of Lauren Gunderson’s The Book of Will for the company.