A couple of days ago, we did our first “tech stumble-through” of our next play, Dael Orlandersmith’s UNTIL THE FLOOD, which explores the impact of the shooting of Michael Brown in August 2014 on the residents of that area. It was presented it at St. Louis Rep (who commissioned the piece) in 2016. So, now in 2018, in winter’s deep freeze, what tone should these storytellers take in New York with UNTIL THE FLOOD? After its run in NY, the creative team will head to Milwaukee, Chicago and many other cities around the country. How does a local theater piece go national? How should this local theater piece go national?Read More
One of the most complex things about being an artistic director (and there are many complex aspects to the position) is determining which artists and plays to program in our season.
Quite simply, I am following my artistic gut.Read More
Sometimes the things you need to say cannot be said with words alone. We need our songs, which can serve as a protest, a prayer, an expression of love or even launch a movement.
This July, starting next week, marks the second year of Rattlestick's New Songs Now series, where we invite our audience into the songwriters’ process.
Running a theater company is like playing a video game…with the twists and turns of near-death and good fortune, advancing to the next level and then crashing into unexpected potholes. I’ve only been doing this for about 14 months so perhaps next year I will have a different analogy. But let's stick with video games for now.Read More
I was recently at the Humana Festival in Louisville, Kentucky, an annual festival of new plays in its 41st year. Taylor Mac, actor, playwright, performance artist, director, producer, and singer-songwriter, led a talk in which he asked the audience to say aloud, “What’s going to happen?”, making us collectively articulate our deep uncertainty about the future.Read More
Early on Friday, March 24th, Rattlestick hosted an intimate gathering of artists, educators and audience members to talk about how their lives have been changing since the election and what, if anything, the theater can do to address the divide that appears to now be such a dominant part of our culture.Read More
Rattlestick Alumni Playwright, Ken Urban, had his play The Correspondent, produced a few years ago at Rattlestick. He returns back to Rattlestick this month in an Amoralists' Production of Nibbler, a dark coming-of-age comedy about five teenagers in a small town in South Jersey during the summer of 1992. I asked Ken to answer some questions that were on my mind.Read More
Last night was the second preview for Orange Julius. About 10 minutes into the play there is a Vietnam fantasy scene where a hazer pumps light fog out to give the illusion of other-worldliness. Last night's hazer malfunctioned and the stage was instantly flooded with thick fog. We could barely see the actors standing right in front of us. Fans were switched on and side doors were opened. Though there was no real danger, the moment felt uncertain.Read More
General Manager Annie Middleton, Associate Producer Victor Cervantes and I have been moved by the many people who have helped Rattlestick over these past few months. These champions of our company have taught us (cliche alert!) how "it takes a village" and why we need to "depend on the kindness of strangers." As we approach Thanksgiving, these are some of the people/groups we want to acknowledge:Read More
I am not an early morning person by choice. But that has changed since becoming Rattlestick's Artistic Director.
Recently, on a Wednesday morning at 7:30 in the morning, I walked into the Waldorf-Astoria to see a program involving the charming and self-possessed girls and young women who are the students at the Young Women’s Leadership Network (YWLN). YWLN is an outstanding network of all-girls public schools across the country whose mission is to create powerful young leaders of color. The visionaries behind YWLN are Andrew and Ann Tisch.Read More
After being named Artistic Director of Rattlestick, during these past few months I’ve received a lot of advice from people who know a lot about running a theater and running a board. I want to share some of that advice with you to show the pushes and pulls on someone trying to run a creative organization in NYC.Read More
As an architect I have worked on the design of museums, exhibits, towers, houses and even a new palace for the Ruler of Dubai. Although always interested in the narrative underpinnings of architectural design, I had never worked on set design and when Daniella asked me to host the first Rattlestick Actors/Writers lab, I jumped at the opportunity.Read More